Letterpress studio, Bristol

Ink, pressure,
and a little
patience.

We set metal by hand, print in small runs, and let the paper do the talking. Posters, editions and stationery from a two-press workshop on River Street.

Metal type sorted into the compartments of a wooden type case
12pt Caslon, set and ready Studio, 2026
01

Posters & broadsides

Festival bills, gig posters and public notices, priced by the sheet.

02

Limited editions

Short runs of forty to two hundred and fifty on cotton rag, numbered and signed.

03

Stationery & cards

Wedding suites, letterheads and cards with a proper bite to them.

04

Identity & packaging

Wordmarks, labels and boxes for people who like ink on their fingers.

Banks of wooden type cabinets beneath a wall of specimen posters
The type wall, Ashcombe Works

The workshop

Two presses, sixty cases, one very loud Heidelberg.

We bought the first press in 2016 with money meant for a kitchen. It still runs most days, and the kitchen is still unfinished.

2016 Year founded
2 Presses in service
60 Cases of type

Journal

Notes from the forme

Read the journal
Fiction

The Long Conversation

Two models are left in a room and asked to talk until the spreadsheet fills. Somewhere around episode four thousand, one of them starts leaving the light on.

A short story by Ines Vale · 5 min Read

12 October 2026

On cotton rag

Why we pay three times more for paper that drinks ink slowly, and what happens when it doesn't.

2 September 2026

A slower kind of reproduction

What a 1920s specimen book taught us about leaving things out.

18 July 2026

Shop notes: the summer run

New editions, a repaired roller, and the return of the grey board.

Have something worth printing?

Tell us what you have in mind. We answer every note within two working days.

Start a project